From early times, Yoruba settlements varied
in size from hunting and farming camps to cities, the largest of which had
20,000 to more than 60,000 inhabitants by the 1850s. Most indigenous capitals
were circular, densely settled, and protected by earthen walls. Typically, a
royal compound measuring around a hectare and a market occupied the centers.
Clustered around them in pie-shaped wedges were the residences of chiefly and
commoner families. Agricultural lands lay outside the walls, and farmers
commuted from town to farm. The usual in-town residence was a rectangular
compound, the outer walls consisting of contiguous rows of rooms that
surrounded an inner courtyard used for cooking, domestic work, and social life.
Buildings were constructed of mud bricks and covered with thatch. Today they are
of concrete blocks or concrete-washed walls roofed with tin or zinc. Compounds
are being replaced by large multistoried, freestanding structures, arranged in
two long rows of rooms bisected by a central corridor.
Marriage is prohibited among people who
can trace a biological relationship. There are no ideal partners. First
marriages still may be arranged by elders, who assess the suitability of
spouses in terms of mental and physical health, character, or propitiousness of
the union. Some marriage alliances were arranged for political or economic
reasons. The type of ritual and amount of bride-wealth depended on the status
of the partners. Marital residence was patrilocal but in the late twentieth
century has become neolocal. Men traditionally married, and some continue to
marry, polygynously. Increasingly since the mid-twentieth century, marriages
between educated men and women reflect personal choice. Divorce is now common,
although it is said to have been rare in precolonial times.
Agnatically related men often shared
the same large compound, taking separate sections for their wives and children.
Each wife had a separate room but cooked for and made conjugal visits to her
husband in rotation. Until the age of puberty, children slept in their mothers'
rooms; youths moved to a common room, and girls soon moved to the compounds of
their husbands.
Landed property is inherited
corporately following descent-group lines; other property such as money or
personal belongings is divided among direct heirs, with equal shares going to
the set of children born to each wife. Nothing is passed to a senior relative
or wife unless there is a will. Wives and slaves were once inherited by junior
siblings.
The ancient Yoruba religious system has
a pantheon of deities who underpin an extensive system of cults. Rituals are
focused on the explanation, prediction, and control of mystical power.
Formerly, religious beliefs were diffused widely by itinerant priests whose
divinations, in the form of verses, myths, and morality tales, were
sufficiently standardized to constitute a kind of oral scripture. In addition
to hundreds of anthropomorphic deities, the cosmos contains a host of other
supernatural forces. Mystical power of a positive nature is associated with
ancestors, the earth, deities of place (especially hills, trees, and rivers),
and medicines and charms. Power of an unpredictable, negative nature is
associated with a trickster deity; with witches, sorcerers, and their medicines
and charms; and with personified powers in the form of Death, Disease,
Infirmity, and Loss. Individuals inherit or acquire deities, through divination
or inspiration.
Christianity was introduced from the
south in the mid-nineteenth century; Islam came from the north in the
seventeenth or eighteenth century. Today Yoruba allegiances are divided between
the two global faiths, yet many simultaneously uphold aspects of the ancient
religious legacy. Syncretistic groups also blend Islam or Christianity with
Yoruba practices.
Rituals are performed largely to
appease or gain favor. They take place at every level, from individuals to
groups, families, or whole communities. In addition to rites of passage,
elaborate masquerades or civic festivals are performed for important ancestors,
to celebrate harvest, or, formerly, to bring victory in war.
The Yoruba are known for their
contributions to the arts. Life-size bronze heads and terracottas, sculpted in
a classical style between A.D. 1000 and 1400 and found at the ancient city of Ife, have been widely
exhibited. Other art forms are poetry, myth, dance, music, body decoration,
weaving, dyeing, embroidery, pottery, calabash carving, leather- and
beadworking, jewelry making, and metalworking.
Yoruba medicine involves a full spectrum of ritual, psychological, and
herbal treatments. Rarely practiced in isolation, curing is as dependent on
possession, sacrifices, or incantations as medicinal preparations. Curing is
learned through an apprenticeship and revealed slowly, because treatments are
closely guarded secrets.
Each individual is endowed with an
inner force that determines his or her destiny. It is part of one's
"multiple soul," which after death either resides in the sky with
other mystical powers or is reincarnated. As ancestors, the dead influence the
living, and sacrifices are made to gain their favor. Funeral rites are commensurate
with one's importance in life—simple for children but elaborate for authority
figures.
-ONAH MARY JOHN
KUW/U14/SLG/2026
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