Wednesday, 15 July 2015

AFRICAN CULTURE (YORUBA)


From early times, Yoruba settlements varied in size from hunting and farming camps to cities, the largest of which had 20,000 to more than 60,000 inhabitants by the 1850s. Most indigenous capitals were circular, densely settled, and protected by earthen walls. Typically, a royal compound measuring around a hectare and a market occupied the centers. Clustered around them in pie-shaped wedges were the residences of chiefly and commoner families. Agricultural lands lay outside the walls, and farmers commuted from town to farm. The usual in-town residence was a rectangular compound, the outer walls consisting of contiguous rows of rooms that surrounded an inner courtyard used for cooking, domestic work, and social life. Buildings were constructed of mud bricks and covered with thatch. Today they are of concrete blocks or concrete-washed walls roofed with tin or zinc. Compounds are being replaced by large multistoried, freestanding structures, arranged in two long rows of rooms bisected by a central corridor.
Marriage is prohibited among people who can trace a biological relationship. There are no ideal partners. First marriages still may be arranged by elders, who assess the suitability of spouses in terms of mental and physical health, character, or propitiousness of the union. Some marriage alliances were arranged for political or economic reasons. The type of ritual and amount of bride-wealth depended on the status of the partners. Marital residence was patrilocal but in the late twentieth century has become neolocal. Men traditionally married, and some continue to marry, polygynously. Increasingly since the mid-twentieth century, marriages between educated men and women reflect personal choice. Divorce is now common, although it is said to have been rare in precolonial times.
Agnatically related men often shared the same large compound, taking separate sections for their wives and children. Each wife had a separate room but cooked for and made conjugal visits to her husband in rotation. Until the age of puberty, children slept in their mothers' rooms; youths moved to a common room, and girls soon moved to the compounds of their husbands.
Landed property is inherited corporately following descent-group lines; other property such as money or personal belongings is divided among direct heirs, with equal shares going to the set of children born to each wife. Nothing is passed to a senior relative or wife unless there is a will. Wives and slaves were once inherited by junior siblings.
The ancient Yoruba religious system has a pantheon of deities who underpin an extensive system of cults. Rituals are focused on the explanation, prediction, and control of mystical power. Formerly, religious beliefs were diffused widely by itinerant priests whose divinations, in the form of verses, myths, and morality tales, were sufficiently standardized to constitute a kind of oral scripture. In addition to hundreds of anthropomorphic deities, the cosmos contains a host of other supernatural forces. Mystical power of a positive nature is associated with ancestors, the earth, deities of place (especially hills, trees, and rivers), and medicines and charms. Power of an unpredictable, negative nature is associated with a trickster deity; with witches, sorcerers, and their medicines and charms; and with personified powers in the form of Death, Disease, Infirmity, and Loss. Individuals inherit or acquire deities, through divination or inspiration.
Christianity was introduced from the south in the mid-nineteenth century; Islam came from the north in the seventeenth or eighteenth century. Today Yoruba allegiances are divided between the two global faiths, yet many simultaneously uphold aspects of the ancient religious legacy. Syncretistic groups also blend Islam or Christianity with Yoruba practices.
Rituals are performed largely to appease or gain favor. They take place at every level, from individuals to groups, families, or whole communities. In addition to rites of passage, elaborate masquerades or civic festivals are performed for important ancestors, to celebrate harvest, or, formerly, to bring victory in war.
The Yoruba are known for their contributions to the arts. Life-size bronze heads and terracottas, sculpted in a classical style between A.D. 1000 and 1400 and found at the ancient city of Ife, have been widely exhibited. Other art forms are poetry, myth, dance, music, body decoration, weaving, dyeing, embroidery, pottery, calabash carving, leather- and beadworking, jewelry making, and metalworking.
 Yoruba medicine involves a full spectrum of ritual, psychological, and herbal treatments. Rarely practiced in isolation, curing is as dependent on possession, sacrifices, or incantations as medicinal preparations. Curing is learned through an apprenticeship and revealed slowly, because treatments are closely guarded secrets.
Each individual is endowed with an inner force that determines his or her destiny. It is part of one's "multiple soul," which after death either resides in the sky with other mystical powers or is reincarnated. As ancestors, the dead influence the living, and sacrifices are made to gain their favor. Funeral rites are commensurate with one's importance in life—simple for children but elaborate for authority figures.
-ONAH MARY JOHN
KUW/U14/SLG/2026

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