Wednesday, 15 July 2015

WAR AGAINST CURRUPTION


Corruption, as we already know, is the major hindrance of development across all sectors in Nigeria.
Experience has shown that citizens of Nigeria are not, in anyway, different from any citizens of any other country across the globe. If anything, they are even more hardworking and determined than many other nationals across the world. This is the pivotal reason why almost every Nigerian survives and thrives successfully wherever he or she finds himself or herself anywhere in the world no matter how hostile such environment is. In actual fact, Nigerians are more often than not preferred over other nationals whenever it comes to employment recruitment competition just because knowledgeable and experienced employers all over the world know that an average Nigerian is not only honest but also hardworking.
The main issue about corruption in Nigeria does not lie with the common man on the street of Oshodi, or in an alley in Kafancha, or the widow who is toiling on a groundnut farm in Yola, or the penury market woman who is trying to earn some living to feed her five children at Ishan village, or the overworked oil field man who is struggling with the hydrocarbon engendered renal failure in the Delta region, nor does it lie with the semi-illiterate sales boy who has been forced to man his master's shop at Onitsha market at the tender age of fourteen when he supposed to be in a class room with his peers, the problem of corruption lies right at Aso Rock and with those that wine and dine with people in the corridor of power both at the national and state/local levels.
The most recent event to attesting to this non-guilty verdict on common Nigerians in the case of corruption in Nigeria was the experience that followed the transition from the corrupt democratic government of the second republic in the early 1980s to one of the most accountable, though unpopular, governments in the history of Nigeria in the mid 1980s that was immediately followed by the most gruesome and corrupt governments in the history of Nigeria between late 1980s and early 1990s.
During the short era of the duo of Buhari and Idiagbon between December 31, 1983 and August 27, 1985, the sanctification that was breathed back to the life of Nigeria as a community after a near half decade social decadence and broken-down law and order proved that Nigerians as a people are honest and hardworking people who are only looking for someone that is honest enough to lead by example and be a pacesetter in eradicating social vices, including corruption.
For the sake of those who are not familiar with this regime that I am making reference to, during this regime, though judged as being forceful and illegitimate because they usurped power from the corrupt elected officers by the power of barrels of guns and military boots, Nigeria and Nigerians quickly regained the once lost respect amidst international community in the area of discipline and economic management. With War Against Indiscipline (WAI), the anti-corruption and anti-indiscipline campaign put in place by this regime fully functional, law and order became the rule of the day in an erstwhile community where there was no respect for discipline and social morality. People started queuing, for the first time, for their turns wherever two or more people had to wait to be served. You would be very careful to collect any gratuity from any one, even if offered with good intention without any string attached, for the fear of being charged and jailed for taking bribe. For the first time in a long time, no petrol filling stations would close doors to customers unless they had no petrol in their stock, otherwise the hoarded product would be auctioned to the public. In the same vein, no wholesales or retail shop dared lock the store's door during working hours if consumable items were available in stock, otherwise those products would be auctioned, after such store had been broken into by the WAI corps, as a deterrent to hoarding of essential commodities that was prevalent, before this regime came to power, in order to create artificial scarcities and inflations.

-PETER ATSEN AWARE
KUW/U14/SLG/2033

THE PEOPLE OF NIGERIA- WAY OF LIFE


Nigerian society varies greatly between urban and rural areas, across ethnic and religious borders, and with levels of education. Still, most Nigerians share a strong attachment to family and especially to children, clearly differentiated roles for men and women, a hierarchical social structure, and the dominance of religion in shaping community values.
Nigerian society functions in a highly patriarchal fashion, with men exerting broad control over the lives of women, who are less educated and have limited access to health and social services. Women work far longer hours than men. They perform virtually all housework and child care, as well as (for most women) many hours of income-earning work, especially farming. The exceptions are in some southern states, where women are more active in trade and exert considerable political influence. In northern Muslim communities, especially cities, women are confined to home according to purdah (the seclusion of women from public places). Many women in purdah participate in a hidden trade in craft articles, prepared foodstuffs, and other goods, using children as couriers.
Polygyny is widely practiced among Muslims, among adherents of traditional religions, and among Christians who belong to independent African churches. Among northern Muslims and in many more traditional societies, most girls enter family-arranged marriages near the age of puberty. The daughters of more educated populations, particularly in the south, tend to marry when they are in their late teens or early twenties. Men usually marry at a later age, especially if they come from poorer families that are unable to afford the high cost of weddings and bride-price (payment given to the bride’s family by or on behalf of the future husband).
Social life has traditionally revolved around ceremonies: weddings, infants’ naming ceremonies, and public performances associated with cultural and religious holidays. Young adult males living in cities enjoy going to cinemas, dance clubs, and bars for recreation. Some Muslim women, for example among the Hausa, have their own social institutions revolving around the bori, a cult of spirit possession. Bori ceremonies provide women with a forum for interaction that is relatively free of male control, and offer explanations and remedies that help women cope with problems such as the death of their children.
Clothing in Nigeria symbolizes religious affiliation, wealth, and social standing. Northern Muslim men wear long, loose-fitting garments such as the caftan, together with colorful embroidered hats or (among traditional officials) turbans. Most Yoruba men also wear elaborate gowns and hats, somewhat different in style. Many Nigerians in the south wear casual Western-style dress. Women wear wraparound garments or dresses, typically made from very colorful materials, and beautiful head-ties that may be fashioned into elaborate patterns.
Diets vary regionally and between city and country. Grain-based dishes such as tuwo da miya, a thick sorghum porridge eaten with a spicy, vegetable-based sauce, dominate the northern diet. Dishes made from root crops, such as pounded yam and gari (a granular product made from cassava), are more prevalent in the south. Northerners eat more meat, either in sauces or as kebabs known as tsire. Yogurt and soured milk produced by Fulani pastoralists form an important part of rural northern diets. Modernization and poverty have made cheaper bulk food staples such as cassava, maize (corn), rice, white bread, and pasta increasingly important in both rural and urban areas. Muslims generally do not approve of drinking alcohol, especially northern Muslims, who tend to prefer tea and soft drinks. In the rest of the country, it is common to drink commercially brewed beer or traditional drinks such as beer made from sorghum or millet and palm wine. Kola nuts are used widely as a stimulant, especially in the north.
Nigerians, particularly youth, are avid sports fans and participants, and by far the most loved game is soccer, known as football. At the 1996 Olympic Games in Atlanta, Georgia, Nigeria’s national team, the Green Eagles, won the gold medal. Several Nigerian footballers have achieved prominence playing professionally in Europe, and all major cities are represented in Nigeria’s highly competitive national football league. Nigerians have also excelled internationally at track and field, particularly in shorter-distance races, and in boxing. Other popular sports are field hockey, basketball, and table tennis.
-KANDE ADDA DANJUMA
KUW/U14/SLG/2002

AFRICAN CULTURE (YORUBA)


From early times, Yoruba settlements varied in size from hunting and farming camps to cities, the largest of which had 20,000 to more than 60,000 inhabitants by the 1850s. Most indigenous capitals were circular, densely settled, and protected by earthen walls. Typically, a royal compound measuring around a hectare and a market occupied the centers. Clustered around them in pie-shaped wedges were the residences of chiefly and commoner families. Agricultural lands lay outside the walls, and farmers commuted from town to farm. The usual in-town residence was a rectangular compound, the outer walls consisting of contiguous rows of rooms that surrounded an inner courtyard used for cooking, domestic work, and social life. Buildings were constructed of mud bricks and covered with thatch. Today they are of concrete blocks or concrete-washed walls roofed with tin or zinc. Compounds are being replaced by large multistoried, freestanding structures, arranged in two long rows of rooms bisected by a central corridor.
Marriage is prohibited among people who can trace a biological relationship. There are no ideal partners. First marriages still may be arranged by elders, who assess the suitability of spouses in terms of mental and physical health, character, or propitiousness of the union. Some marriage alliances were arranged for political or economic reasons. The type of ritual and amount of bride-wealth depended on the status of the partners. Marital residence was patrilocal but in the late twentieth century has become neolocal. Men traditionally married, and some continue to marry, polygynously. Increasingly since the mid-twentieth century, marriages between educated men and women reflect personal choice. Divorce is now common, although it is said to have been rare in precolonial times.
Agnatically related men often shared the same large compound, taking separate sections for their wives and children. Each wife had a separate room but cooked for and made conjugal visits to her husband in rotation. Until the age of puberty, children slept in their mothers' rooms; youths moved to a common room, and girls soon moved to the compounds of their husbands.
Landed property is inherited corporately following descent-group lines; other property such as money or personal belongings is divided among direct heirs, with equal shares going to the set of children born to each wife. Nothing is passed to a senior relative or wife unless there is a will. Wives and slaves were once inherited by junior siblings.
The ancient Yoruba religious system has a pantheon of deities who underpin an extensive system of cults. Rituals are focused on the explanation, prediction, and control of mystical power. Formerly, religious beliefs were diffused widely by itinerant priests whose divinations, in the form of verses, myths, and morality tales, were sufficiently standardized to constitute a kind of oral scripture. In addition to hundreds of anthropomorphic deities, the cosmos contains a host of other supernatural forces. Mystical power of a positive nature is associated with ancestors, the earth, deities of place (especially hills, trees, and rivers), and medicines and charms. Power of an unpredictable, negative nature is associated with a trickster deity; with witches, sorcerers, and their medicines and charms; and with personified powers in the form of Death, Disease, Infirmity, and Loss. Individuals inherit or acquire deities, through divination or inspiration.
Christianity was introduced from the south in the mid-nineteenth century; Islam came from the north in the seventeenth or eighteenth century. Today Yoruba allegiances are divided between the two global faiths, yet many simultaneously uphold aspects of the ancient religious legacy. Syncretistic groups also blend Islam or Christianity with Yoruba practices.
Rituals are performed largely to appease or gain favor. They take place at every level, from individuals to groups, families, or whole communities. In addition to rites of passage, elaborate masquerades or civic festivals are performed for important ancestors, to celebrate harvest, or, formerly, to bring victory in war.
The Yoruba are known for their contributions to the arts. Life-size bronze heads and terracottas, sculpted in a classical style between A.D. 1000 and 1400 and found at the ancient city of Ife, have been widely exhibited. Other art forms are poetry, myth, dance, music, body decoration, weaving, dyeing, embroidery, pottery, calabash carving, leather- and beadworking, jewelry making, and metalworking.
 Yoruba medicine involves a full spectrum of ritual, psychological, and herbal treatments. Rarely practiced in isolation, curing is as dependent on possession, sacrifices, or incantations as medicinal preparations. Curing is learned through an apprenticeship and revealed slowly, because treatments are closely guarded secrets.
Each individual is endowed with an inner force that determines his or her destiny. It is part of one's "multiple soul," which after death either resides in the sky with other mystical powers or is reincarnated. As ancestors, the dead influence the living, and sacrifices are made to gain their favor. Funeral rites are commensurate with one's importance in life—simple for children but elaborate for authority figures.
-ONAH MARY JOHN
KUW/U14/SLG/2026

HAVE AN INSIGHT OF THE IGBO POEPLE


Igbo is the language spoken in Ala Igbo or Ani Igbo (Igboland) by the people who are collectively referred to as "Ndi Igbo"; their community is known as "Olu no Igbo" ("those in the lowlands and uplands"). Before European colonialism, the Igbo-speaking peoples, who shared similarities in culture, lived in localized communities and were not unified under a single cultural identity or political framework, although unifying processes were present via expansion, ritual subordination, intermarriage, trade, cultural exchange, migration, war, and conquest. Villages and village groups were generally identified by distinct names of their ancestral founders or by specific names such as Umuleri, Nri, Ogidi, Nnobi, Orlu, Ngwa, Ezza, and Ohaffia.
There are several theories concerning the etymology of the word "Igbo" (wrongly spelled "Ibo" by British colonialists). Eighteenth-century texts had the word as "Heebo" or "Eboe," which was thought to be a corruption of "Hebrew." "Igbo" is commonly presumed to mean "the people." The root -bo is judged to be of Sudanic origin; some scholars think that the word is derived from the verb gboo and therefore has connotations of "to protect," "to shelter," or "to prevent"—hence the notion of a protected people or a community of peace. According to other theorists, it may also be traced to the Igala, among whom onigbo is the word for "slave," oni meaning "people."
Marriage. Marriage is not a matter for the man and woman alone; it concerns the close kin of both. Marriage arrangements are negotiated between the families of the prospective bride and groom. With regard to the paternity of the wife's children, they belong to the lineage of the husband. When a woman has children out of wedlock, however, they belong to her natal lineage, and not to that of the children's father. Igbo have also institutionalized marriage options permitting "female husbands" in woman-to-woman marriages, in special circumstances. Some daughters with a male status (i.e., "male daughters") do not even have to marry to procreate.
Although females are brought up looking forward to this dual role, it would be misleading to think that the major roles of women in Igbo society are as wife and mother, since Igbo women are prominent in public life as an organized force in both economics and politics. A significant part of a young girl's or a young man's childhood training is geared toward their future roles in the family and as useful and responsible citizens. Women are fully involved in matchmaking and usually participate directly or indirectly in the actual negotiations of marital arrangements for their sons or their daughters, in cooperation with the male members of the families concerned. Women have powerful and active behind-the-scene roles in seeking out the girls they would like their sons to marry. The approval of the mother is vital because the young bride is generally expected to live with her mother-in-law and to serve her for the first few months of marriage, until the new couple can set up an independent household and farmland.
Most Igbo lived in villages made up of dispersed compounds. A compound was typically a cluster of huts belonging to individual household units. The typical Igbo village consisted of loose clusters of homesteads scattered along cleared paths that radiated from a central meeting place. The village meeting place usually contained the shrines or temples and groves of the local earth goddess and also served as the market. Large communities often had two such units. Most local communities contained anywhere between 40 and 8,000 residents. Homesteads were generally comprised of the houses of a man, his wives, his children, and sometimes his patrilineal cousins. They were often surrounded by mud walls and were nearly always separated from neighboring homesteads by undergrowth or women's gardens. Northern Igbo women normally decorated the mud walls of their houses with artwork. In the south, houses were made of mud on a stick framework; usually either circular or rectangular, the houses were thatched with either palm leaves or grass and were floored with beaten mud. Co-wives had their own rooms, kitchens, and storerooms. Young children and daughters usually stayed with their mothers, whereas the males lived in separate houses. Population pressure and European architecture has forced significant changes in these old settlement ideals, introducing (cement) brick houses lacking aesthetic appeal.
The bulk of inheritance allotments are granted to the eldest son, who, at the time of the inheritance, becomes responsible for the welfare of his younger siblings. If the eldest son is a minor at the time of his father's death, a paternal uncle will take charge of the property and provide for the deceased brother's family. There is also marriage by inheritance, or levirate—a widow may become the wife of her brother-in-law. In some localities, widows may become the wives of the deceased father's sons by another wife.
-SAM S. STEPHEN
KUW/U14/SLG/2032

Know The Hausa's


Hausa history is one of immigration and conquest. The Hausa nation has evolved from the incorporation over hundreds of years of many different peoples who joined the original stock. They are united by a common language and adherence to a common religion, Islam. According to tradition, the Hausa people derive from the Hausa bakwai,the "true" seven states, of which Daura (named after its female founder) is considered the most senior. In the myth of origin, Bayajidda, the son of the king of Baghdad, arrived in Daura via Bornu. He killed the snake that occupied the well, impeding the townspeople's access to the water. As a reward, Bayajidda married the queen. Their son Bawo was the progenitor of six sons, thereby founding six states—Daura, Katsina, Zazzau (Zaria), Gobir, Kano, and Rano. Bayajidda's son by his first wife, Magira (a Kanuri woman), founded Biram, the seventh state.
In fact, it is not known when the movement of peoples actually occurred; neither has the migrants' place of origin been pinpointed. The seven Habe kingdoms were formed by a coalescence of strangers with local folk. The emergence of states in Hausaland was apparently associated with the establishment of capital cities as centers of power. They were different from earlier settlements in that they were cosmopolitan, fortified, and each the seat of a king who was recognized as the superior power throughout the surrounding area.
Before 1804, Habe kings ruled over Hausaland; following 1804, the Fulani took over, and by mid-century the Hausa were stratified into three tiers: the hereditary ruling Fulani, the appointive ruling class dominated by Fulani, and the Habe commoners.
Hausa relations with others are considerable, because of their extensive involvement with trade and Islam. There is considerable exchange with the Kanuri to the east, the nomadic Tuareg, and southern Nigerians (Igbo, Yoruba); in their diaspora settlements, other ethnic groups that share their cultural orientation, such as the Wangara, the Zabarama, the Adar, the Nupe, are often lumped together with them as "Hausa."
The Hausa classify their settlements as cities, towns, or hamlets. The cities have wards for foreigners, including Tuareg, Arabs, Nupe, Kanuri, and others. The capital cities are walled, and residents live in walled compounds with interior courtyards. Those of the well-to-do are whitewashed and decorated with plaster arabesques. The women's quarters are separate. Urban compounds may house sixty to a hundred persons. Although the Hausa accord urban living the most prestige, they are primarily rural. Each village contains a capital, as well as several hamlets; the capital is divided into wards, housing families of the same occupational group. Traditional village compounds are walled or fenced; materials range from baked clay to mud or cornstalks. Compounds characteristically contain an entrance hut, an open shared cooking and work area, a hut for the compound head, and separate huts for each of his wives. Newer housing is rectangular and concrete. The number of people living in a rural compound ranges from one to thirty, the average being ten.
Religious Beliefs. About 90 percent of the Hausa are Muslims. "The traditional Hausa way of life and Islamic social values have been intermixed for such a long time that many of the basic tenets of Hausa society are Islamic" (Adamu 1978, 9). Islam has been carried throughout West Africa by Hausa traders.
Adherents are expected to observe the five pillars of Islam—profession of the faith, five daily prayers, alms giving, fasting at Ramadan, and at least one pilgrimage to Mecca (the hajj). Within Hausa society, there are sects (brotherhoods) of adherents; of these, the Tijaniya, Qadriya, and Ahmadiyya have been important. Wife seclusion is basic to the Hausa version of Islam, although it is believed that the institution is more a sign of status than of religious piety.
Even among some Muslims, as among the Maguzawa pagans, spirit cults persist. One, the Bori, has more female than male adepts; cultists are believed to be possessed by particular spirits within the Bori pantheon.
Religious Practitioners. Although such personnel as imams and teachers ( mallamai; sing. mallam ) have no churchly functions or spiritual authority, they do tend to assume or accept some measure of spiritual authority in certain contexts.
Ceremonies. Men are enjoined to attend Friday prayers at the mosque. Men and women celebrate the three main annual festivals of Ramadan, Id il Fitr, and Sallah. Life-cycle events—birth, puberty, marriage, death—are also marked.
Death and Afterlife. Burial is in the Islamic manner. Upon death, the individual passes on into the realm of heaven (paradise) or hell, consistent with Islamic teaching.
 -UMORU YUSUF SADIQ
KUW/U14/SLG/2029

Religion and Expressive Culture of the Fulani


Religious Beliefs. Over 90 percent of the Town Fulani are Muslims. It is, in fact, rather difficult to discover any Fulani—Town or Cattle—who admits to not being Muslim, no matter how lax his or her practice may be. The Fulani share many beliefs with other West African Muslims. They use Islam both as a means to distinguish themselves from others, through the reputation of Fulani clerics, and as a link to members of other African groups.
At the same time, there is belief in the steady-state nature of culture that preceded Islam. Culture is seen to be unchanging and constant from generation to generation. The only improvement a Cattle Fulani sees possible is to have more children than his or her parents. Otherwise, the appropriate thing to do is to live according to the code of the ancestors.
That code stresses the symbolic importance of cattle in defining Fulani ethnicity. There is also a requirement to respect one's seniors and to love one's mother. The ethos of the Fulani is best summed up in the concept of palaaku. It portrays the ideal Fulani as one who has stoic sobriety, reserve, and strong emotional ties to cattle. At the same time, the model Fulani is gentle in demeanor. His carriage conveys a proud reserve, almost a disdain toward non-Fulani. It is said that no one knows what a Fulani is thinking. The true Fulani is physically as well as psychologically distant from other people, especially non-Fulani. Moreover, he is enjoined from displays of strong emotions. His demeanor is taciturn, loathing the boisterousness of others. Wealth is not to be vulgarly displayed but carefully and quietly tended.
The Fulani have a number of taboos. They may not pronounce the name of a spouse, a first son, a first daughter, a father or mother, or a parent-in-law or the names of the parents of any beautiful girl or young woman. In addition to observing the usual Islamic dietary laws, they may not eat goat meat, lest they become lepers.
Religious Practitioners. As Muslims, the Fulani share with other Muslims reliance on traditional Islamic religious practitioners and are themselves prominent members of the Islamic clerical class. In common with other West Africans, however, Fulani will frequent local religious practitioners who have established reputations for their curative powers and supernatural abilities.
Ceremonies. Various life-cycle events—naming, acceptance of young girls into the group, marriage, first child, and so on—are marked by ceremonies. The Shar'o ceremony demonstrates to the community that a young man has come of age. In it, adolescent friends take turns beating each other across the chest with their walking sticks. No sign of pain or discomfort can be shown. Although adolescents have died in this ceremony, young men are eager to participate and display their scars with pride throughout their lives.
Arts. The Fulani are noted for their oral literature, which celebrates the concept of palaaku and serves to define Fulani identity. Fulani oral literature has been influenced both by surrounding peoples and by Islam. The major categories of Fulani literature are poetry, history, story, legend, proverb, magic formula, and riddle. Many of these genres are sung, either by amateurs or by professionals.
Medicine. The Fulani participate in a number of medical systems. One is an Islamic system, basically derived from the Arabs and through them from Greco-Roman sources. They share many traditions with the groups among whom they live. Since the onset of British colonization—around the turn of the twentieth century—they have been exposed to Western medical practices. In common with other West Africans, they have incorporated elements from these various systems in a rather syncretistic and pragmatic fashion.
Death and Afterlife. If one lives up to the palaaku code and obeys Allah's laws, there will be rewards in the afterlife. The Fulani, in common with other Muslims, believe in an afterlife of material rewards for the followers of Allah.
 -DEBORAH S EZRA
KUW/U14/SLG/2023

FULANI- MARRIAGE AND FAMILY


Marriage. Ideally, the Fulani do not practice birth control because the perfect or model Fulani marriage will produce many children. Toward that goal, the Fulani marry young. No special value is placed on virginity, and women are not shy about boasting about their various experiences. In fact, the Fulani expect young women to bring sexual experience to marriage. There are even special dances in which women select mates, with the proviso that the mate selected not be her fiancĂ© or a particular category of relative—one to whom she could be affianced, for example.
At the same time, a woman is expected to display appropriate modesty whenever the subject of marriage arises, for marriage confers on her a special status. There has been some confusion regarding what constitutes the marriage ceremony among the Fulani. Because neither bride nor groom may be present at the ceremony, owing to shame-avoidance taboos, the significance of the cattle ceremony ( koowgal ) has often been overlooked. In that ceremony, the bride's father transfers one of his herd to the groom, legalizing the marriage. There may also follow a more typical Islamic ceremony, termed kabbal Again, neither bride nor groom may actually be present at the ceremony.
An important public acknowledgment of the marriage is the movement of the bride to her husband's village, termed bangal. The women of that village come to greet her, and the welcome is a rite of passage for the bride. The bride's status increases with each child she has, especially with the birth of males.
The Fulani prefer endogamy. Their first choice of a marriage partner is a patrilateral parallel cousin. If that is not possible, their other choices are for the partners to share a great-grandfather, a great-great grandfather, or a patrilateral cross cousin.
Domestic Unit. A man is allowed four wives. Each wife brings cattle with her to the marriage. It is a major obligation for a woman to milk the cattle and prepare the dairy products. A woman receives respect from her sons and daughters-in-law.
Inheritance. Lineage members inherit cattle and widows. Among Town Fulani, inheritance generally follows Islamic prescriptions, with the exception that generally women do not contest their inheritance with their full brothers.
Socialization. At 2 years of age, children are weaned. A child's father remains distant throughout its life. Women provide for children's needs. Thus, a mother and her daughters tend to the needs of her sons. A young girl first plays at carrying dolls on her back and then moves on to carrying her baby brother.
Among the Pastoral Fulani, baby girls are given amulets for fertility and boys for virility. Mothers take care to preserve and shape their children's conformity to the Fulani ideal notions of beauty. Mothers attempt to lengthen their children's noses by pressing them between their fingers, stretching, and squeezing hard. They also attempt to shape their children's heads into the ideal round shape.
Acquiring a culture is perceived as acquiring something that is found. The Fulani term is tawaangal. There is a sense that no one invented nor can change these traditions, for they define what it is to be Fulani.
Young children are treated with great gentleness and are rarely disciplined. Adults seek to avoid giving them any emotional shocks. Most training is given by a child's mother and the other women of the compound. They are believed to be more capable of patience and reciprocity. Young girls are initiated into their adult work through games. The young girl carries her doll. At 2 or 3 years old her ears are pierced, six holes in her right ear and six in her left. Almost as soon as she can walk well, she is placed into the middle of a circle of dancing women who begin to teach her to dance and praise her efforts lavishly.
Indeed, the transition to adulthood proceeds in smooth steps. At about 5 years of age, girls are taught the rules of the moral code -mbo. There are to be no sexual relations of any kind with brothers. A woman may not look at her fiancĂ© in the face. She must demonstrate respect for elders and must never mention her future parents-in-law. Women have two essential roles in Fulani society, that of sister and daughter. Either at her naming ceremony or just before she leaves her father's home for her husband's, a woman's father presents her with a heifer. There is shame for a man on entering his daughter's home; however, the strong affection he demonstrates for his grandchildren is meant to show his affection for his daughter as well.
Young boys play at taking care of the cattle and performing men's work. Mothers come to rely more on sons than on daughters because daughters will leave the compound upon marriage.
-KANDE ADDA DANJUMA
KUW/U14/SLG/2002